Rachel on Apr 15 2008 | Filed under: Blackford, Carlson, Critical Commentary, Dewey
The first time I encountered Leslie Blackford’s inventive creations was the summer of 2007. It was decidedly different from the figurative polymer work I had seen before. From the early days of polymer clay, many artists have found the material to be well suited to sculpting. Two notable artists who use […]
Martha on Apr 11 2008 | Filed under: 1997, Allen, Amt, Breen, Dever, Dewey, Dustin, Feiss, Ford, Forlano, Gibson, Grove, Haunani, Hughes, Kato, Liska, MIPCES Exhibition, NPCG, Regan, Roche, Toops, Voulkos, Winters, Zinman
Elise asked me to lead a small team of volunteers to research and write about gatherings that influenced the development of polymer as an art medium. This is the first of these posts and we hope to follow up with more. Special thanks to Nancy Travers who organized all the materials about MIPCES.
Masters’ Invitational Polymer […]
Kathleen on Mar 25 2008 | Filed under: Allen, Carlson, Dewey, Flower Valley Press, Ford, Forlano, Haunani, Hughes, Millefiore, NPCG, Ornament, Roche, Segal, Shriver, The New Clay, Toops, Torpedo Factory, Voulkos
In 1987, at the Torpedo Factory Art Center in the Washington, D.C. area, I taught my first workshop on polymer bead-making based on the simple techniques I had developed. On the advice of an artist colleague, I submitted a short article to Ornament magazine. Published in 1988, my article was entitled “The Use of Polyform […]