Archive for the 'Haunani' Category

All About: MIPCES

Elise asked me to lead a small team of volunteers to research and write about gatherings that influenced the development of polymer as an art medium. This is the first of these posts and we hope to follow up with more. Special thanks to Nancy Travers who organized all the materials about MIPCES.

Masters’ Invitational Polymer […]

The Early Development of Polymer Clay Bead-Making: Part Five

In 1987, at the Torpedo Factory Art Center in the Washington, D.C. area, I taught my first workshop on polymer bead-making based on the simple techniques I had developed.  On the advice of an artist colleague, I submitted a short article to Ornament magazine.  Published in 1988, my article was entitled “The Use of Polyform […]

Inch Worms on the Deck

 
This event remains crystallized in my mind like a fly in amber, and may have not been what happened at all… Elise and I had just finished constructing the first all  metal tube bead cutter on her deck, when we spotted a small green inch worm making its way across the deck railing. We took […]

Tube Bead Inspirations

There are times when the synchronicity of seeing a concept in “threes” propels me as an artist to experiment with and reinterpret an idea.

Margaret Regan gave me a fabulously simple and elegant rainbow tube bead necklace. Her beads were small and delicate ( 1/2″ x 1/8 “) and strung with small black glass hex beads on elastic.
I […]

“Telephone” Rings Up Innovation

It seems to me that innovation in the medium of polymer often resembles our own adult version of “telephone.” One artist comes up with a great concept, something she just has to tell a colleague about. In a rush of excitement, that second person passes along the original idea, inevitably adding a personal twist or […]

Paying Close Attention

This image, stunning for its deceptive simplicity, provides unusual insight into the development of polymer artistry. Shown are the 12 beads Pier Voulkos brought to exhibit and sell at the 1995 International Bead conference in Washington D.C. Those who know Pier’s work well will recognize that these beads both mapped her past work and forecast her future. […]

Polymer blossoms, seeded by Flower Valley Press

Many acknowledge Nan Roche and her book, The New Clay, as the source and the early inspiration for the explosion of information about polymer and its growth as a medium for artistry. 
 
But how many realize that this could never have happened without the support and vision of Seymour Bress, founder of Flower Valley Press.  In […]

Beadazzled Show in Washington, DC

I was certainly bedazzled to see the this show at Beadazzled in Washington, DC in 1990. It was the first time I had ever seen the work of Pier Voulkos, Sarah Shriver, Grove & Grove and City Zen Cane in person.
The show was displayed in the back room of the store’s original location on Dupont […]

Food and Fimo

I became interested in polymer clay in 1988, when a number of things serendipitously led me to take a workshop from Kathleen Dustin. At the time I had a large vegetable/herb garden and was experimenting with different colored inlays of herbs and vegetable purees into handcrafted pasta. One day I’d been tempted to buy FIMO […]