Archive for the 'Millefiore' Category
Kathleen on Mar 25 2008 | Filed under: Allen, Carlson, Dewey, Flower Valley Press, Ford, Forlano, Haunani, Hughes, Millefiore, NPCG, Ornament, Roche, Segal, Shriver, The New Clay, Toops, Torpedo Factory, Voulkos
In 1987, at the Torpedo Factory Art Center in the Washington, D.C. area, I taught my first workshop on polymer bead-making based on the simple techniques I had developed. On the advice of an artist colleague, I submitted a short article to Ornament magazine. Published in 1988, my article was entitled “The Use of Polyform […]
Kathleen on Mar 18 2008 | Filed under: Blends, Breen, City Zen Cane, Dustin, Ford, Forlano, Micromosaic, Millefiore, Shriver, Toops
This is Part Four of the speech delivered at Synergy: the 2008 National Polymer Clay Guild Conference held in Baltimore, Maryland in February 2008. The entire speech will be publish in serial form in five parts on Polymer Art Archive .
In the Washington, D.C., area also in 1986, where I was working as a ceramic artist, I […]
Elise on Mar 14 2008 | Filed under: 1980's, 1990's, Allen, Breen, Caning, Grove, Millefiore
Are you hooked on Kathleen Dustin’s presentation about the work done by the early polymer bead makers? Then, you’ll want to see even more images by those pioneers. After each of Kathleen’s next few installments, I will provide you with an expanded view of those artists’ early work.
In the gallery that follows you can put […]
Kathleen on Mar 04 2008 | Filed under: 1970's, Caning, Hughes, Imitative, Julie: Artisans Gallery, Millefiore, Synergy NPCG 2008 Conference, Voulkos
This is Part Two of the speech delivered at Synergy: the 2008 National Polymer Clay Guild Conference held in Baltimore, Maryland in February 2008. The entire speech will be publish in serial form in five parts on Polymer Art Archive .
The Earliest Polymer Bead-makers
Many of these American artists first became aware of the polymer brand Fimo in […]
Elise on Dec 10 2007 | Filed under: 1981, 1983, Caning, Millefiore, Olson, Publications, Shriver
In St. Louis in 1981, the National Association of Miniature Enthusiasts held a national convention. It was there that Esther Olson introduced her process for making miniature candies from FIMO®. Today we would recognize these techniques as millefiore caning. From that inconspicuous beginning, caning has evolved into extraordinary art, as seen in the work of […]